Travis is trapped in his cab, writing about his experiences, disgusted by the world, feeling superior to it and apart from it yet at the same time wanting to be part of it. He displays all the classic symptoms of being an immobilized man, as writer Charles Willeford coined it, a man who is psychologically impotent in the face of modern society.
The cinematographer and two-time Oscar nominee — best-known for features including Taxi Driver, Raging Bull and The Fugitive — passed on Sept. 20 at the age of 84.
In this webinar on cinematography with Zeiss, K. K. Senthil Kumar talks about his journey as a cinematographer, his journey and working philosophy that he follows in order to tune himself with the director’s creativity.
How the 1917 movie was crafted? how it was filmed? What made the actors performances and the screenplay at its best? What made us feel incredible after watching the movie?
Regardless of whether you’re a seasoned director, crafting a screenplay, or just looking to increase your videos’ social engagement, telling a visually arresting story is tantamount in our digital world.
What comes to our mind when we heard about “Psycho”.. the shabby image of the motel in the middle of nowhere.. by-passed by the characters who were introduced as weird, disturbing and antisocial characters… the brutal merciless killing of a psycho with a broad kitchen knife accompanied by the nerve-wrecking screeching sound of a violin.
On the occasion of celebrating 40 years of its release on this day 23 May 1980, The Shining is well known fro its treatment. here, we are providing you the treatment of the movie
John Alcott, the great cinematographer who worked with Stanley Kubrick for some time, speaks at length about Kubrick and his additional work on 2001: A Space Odyssey, for which he took over as lighting cameraman from Geoffrey Unsworth in mid-shoot, A Clockwork Orange, Barry Lyndon, the film for which he won his Oscar, and The Shining.
The film’s cinematography has been described as ground-breaking. Especially notable are the long double shots, usually ended with a slow backwards zoom, the scenes shot entirely in candlelight, and the settings based on William Hogarth paintings. The exteriors were filmed on location in Ireland, England and West Germany, with the interiors shot mainly in London.
One of the best elements of Madha movie is its cinematography by Abhiraj Nair. The cinematography has brought a new aura to the movie and helped the vision that director wanted to convey.